rev2023.3.1.43269. in front of your cameras lens is arguably the best way to shoot CineStill 800T in daylight. Left circle: a matching frame shot with an 85C warming filter. An example of data being processed may be a unique identifier stored in a cookie. Like I said; It's not intended as stubbornly shooting high-speed film in bright scenes. Has Microsoft lowered its Windows 11 eligibility criteria? So what *is* the Latin word for chocolate? Learn how your comment data is processed. You can speed up this process with the Curves adjustment layer that has image sampling pipettes (to the left of the histogram) which you can use to pick the white, grey, and black points in your photograph. Combine this versatility and the aforementioned compatibility with my workflow and my personal tastes and what Ive found in Kodak Portra 800 feels to me like it could well be my perfect colour negative film. ISO 1600 film is not the right choice for shooting on a sunny day. . Decide what you want to achieve and have the proper technical solution for it.The workflow would be to find the f-stop and speed you want to use, and find the ND that will allow you to use that particular combination in a particular light condition. I have found Portra 800 pushed one stop is a wonderfully [], [] Portra 800 might well be Hamish Gills favorite color film. Middle: inverted & equalized scan W/O any adjustments. So with my metering being accurate, and the lens being so good, really I was setting myself up to be pleasantly surprised. To subscribe to this RSS feed, copy and paste this URL into your RSS reader. All our Contributors have an ad-free experience for life.Sign uphere. CineStill 800T in daylight (colour-corrected). With that acknowledged, the first thing I want to point out is that within my specific workflow I am yet to have a roll that has caused me any real issues at all. Ive read that 400 iso film is versatile and can be shot in the daylight, but I find that with my camera I often have to use too slow shutter speeds that cause blurry photos even with 400 iso. I recently deliberated the above arguement before settling on buying my first roll of Portra 800 and taking on a trip to HK.I found Emulsives article below incredibly helpful in helping me make up my mind:https://emulsive.org/reviews/blind-film-review-01-fuji-natura-1600-vs-kodak-portra-800-vs-lomography-color-negative-800-35mm. I used cake stands and deep shadows as my white and black colour references. Using a high ISO will allow you to use very short shutter speeds (to freeze action) Sports photographers preferred High ISO films for that reason. Id have used Portra 800 instead! The purpose would be mixed scenes. In most cases, a 400-speed film will allow you to get perfect exposures without a tripod. If you need slower shutter speeds or shallower depth of field simply use ND (Neutral Density) filters. 35mm Ilford HP5 Plus 400 Pushed +1 to ISO 800. I do have an exposure-adjustment on the particular camera I want to use for it, which I'd already be turning down by one step when I'd be using 3200 at the camera's maximum setting of 1600. I cant remember if I commented or not, but I do remember thinking how much I was going to miss this film. If you want the other benefits of 800T without losing warm, golden tones you find in daylight, try one of these filters out! CineStill 800 Tungsten is the ultimate low light film for your film camera! I've never messed around with film that's much different from the consumer standard of about ISO 200-400. Definitely not a good first choice for casual outdoor shooting. Boasted to be the world's sharpest and finest grain color film! Yes, you can use ISO 1600 in bright sunlight. Thanks for your input! It definitely says 200 though). If you're careful with your metering, you can still get fine . What happened to Aham and its derivatives in Marathi? May 17, 2012. Some notable 800 ISO features include fine grain that really only comes out in low light photos, the ability to shoot in lighting of all kinds, and being able to up the shutter speed to . As a rule, I find that prefer the colours out of consumer films such as Ultramax 400, but I dont really get on with the higher grain and reduced sense of sharpness Ive had out of those sorts of films when Ive shot them in the past. I shot it in a Nikon F75 with a fairly basic zoom lens. Right. CineStill 800T in daylight, dev/scan by Rocket Repro lab, Vancouver. As it turns out it is at least fairly happy with overexposure. Id be interested to do that comparison in my workflow too. But when making that decision, the first concern I had was how I was going to cope without my quite-recently found love for this fast and very versatile colour emulsion.if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-box-3','ezslot_0',179,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-box-3-0'); Now, before I get into this, I think that its important to caveat this review by saying that it is far from exhaustive, or even conclusive. Portra 800 Color Negative Film ISO 800, 35mm Size, 36 Exposure, Top Rated Gear: KODAK Portra 800 Color Negative Film ISO 800, 35mm Size, 36 Exposure, MFR: 1451855. . 100 or 200 best ISO for outside pictures on a sunny and bright day; 400 ISO for cloudy days, or indoors for window light portraits; 800 ISO for indoors without a flash; 1600+ ISO for really low light situations - that school play your kid is in; The trade off to shooting in really low light situations. ISO 200. But most of the time, photography isn't just about recording an image -- the goal is to record the best image you can. A couple of rolls later I decided I should give Portra 800 a run for its money in lower light. In 120 Ive stuck with P400 so far. To get the best skin tones and colors, you can do one of two things: Shoot it at 800 with an 85 B filter ( find on Amazon ). And I have been really happy with the results, actually my best so far. If a law is new but its interpretation is vague, can the courts directly ask the drafters the intent and official interpretation of their law? Number of Exposures: 27. We and our partners use data for Personalised ads and content, ad and content measurement, audience insights and product development. In this video, I test Cinestill 800T for the first time in three different enviroments. I say that as someone whos just committed to shooting only P3200 and Ektachrome E100 for at least 6 months in a bid to learn these two returned-to-market films from Kodak properly. Correct me if Im wrong (not unknown), but shooting an ISO 800 film at EI1200 is underexposing the film and not overexposing. Even knowing what I knew, it felt slightly unnatural using this film for sunny-day landscapes type shots. document.getElementById("ak_js_1").setAttribute("value",(new Date()).getTime()); This site uses Akismet to reduce spam. This can make for an interesting effect or appear undesirable. Very timely review as Ive just shot my first rolls of Portra 800 in 120 on my Mamiya 6 looking forwards to seeing the results! In our review, we state: "Kodak Portra 800 is apparently based on Kodak's VISION 2 technology whereas Kodak Portra 400 and 160 . Set your camera to the desired camera speed (something different than the film speed) and shoot the film as you usually would. These next shots were taken at EI200, and though this seemed to emphasise a yellowish-shift in the scans, it was nothing I couldnt post-process out with relative ease Pushing film needn't result in blocked out shadows and super high contrast. I talk more about my colour film workflow here, but I mention this now to highlight the point that there are a lot of variables within the process of shooting film, so really all youre about to read amounts to is a review based on how I personally shoot and have processed this film. CineStill 800T with and without 85C warming filter. However, I still prefer the precise, granular control and the interface of the Color Balance tool. Understanding how to expose in lower-light and how to scan properly can reap much better results in my experience but anyway, thats a rant for another day. Im not really sure what made me decide to load a roll of it and shoot it in daylight originally, but Im really glad I did. Privacy Policy. A lower ISO value means less sensitivity to light, while a higher ISO means more sensitivity. The 40 Best Notion Templates for Students, The 10 Best Study Websites & Virtual Spaces, 20+ Aesthetic & Minimal iOS App Icon Packs, document.write( new Date().getUTCFullYear() ); Gridfiti Inc. All rights reserved. Way back when we chatted about film choices for you, if Id known what I do now, and seen more of the sorts of shots of yours Ive seen since, I think I would have recommended this film. I also reflected on how I felt that Id already learned how to shoot it, scan it and process it; and that it hadnt taken that many rolls at all! Tungsten lights glow orange at 3000K, which is similar to the temperature found on the surface of red dwarfs, and LEDs can glow blue at nearly 7000K, which is similar in colour to the ultra-hot blue stars. Does With(NoLock) help with query performance? Plus your overall signal is cleaner. The combination of shutter speed, aperture and film speed/ISO (and light modifiers) are expressed as EV or "Exposure Value". Depending on your camera you might run into shutter speed problems. And the Tri-X 400 single-use camera is one of the best you can buy. If you plan to take pictures outdoors during the day, choose a camera with a lower ISO. The main advantage with high ISO film compared with digital sensors is that film is not sensitive to Infrared pollution as silicon based sensors. These aren't showstoppers, just things you should be aware of. I don't know if that makes it an extremely different story, because I take it the lighting stays the same principle. ISO 200 is identical to setting to 800, overexposing 2 EV, and dropping two stops in post. This remarkable emulsion is always in high demand, and its not just the hype: this film delivers for both perfectionists and experimental photographers. You now know how to best handle daylight photos with your roll of Cinestill 800T film so check out these 800T in daylight sample photos below, and use the tips above to go and create your own! Thanks for contributing an answer to Photography Stack Exchange! One of the things that hasn't been mentioned yet is why you select a particular film. Both "bright indoors" and "general outdoors". This twin pack of FUJIFILM INSTAX MINI Instant Film contains 20 sheets of instant color film that is compatible for use with the INSTAX MINI series of cameras. Kodak Tri-X 400. For CineStill 800T, the company gave us ISO 800 film that is Tungsten balanced-which means that it's best used with a flash or daylight. Shoot that one at 6400 - or even push it to 12,800. CineStill takes advantage of a C . If you plan to shoot indoors in low light conditions, film ISOs of 400, 800, or even 1600 are preferred. So I suppose I could try it and see how it responds for the scenes I like to use it in, as long as it's not overly bright. Right circle: colour-corrected frame shot without the filter. That said, as Ive alluded, with a 50mm f/1.2 lens mounted to a camera with a maximum shutter speed of 1/4000th of a second, I pretty much feel like I can shoot what, where and however I like.if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[320,50],'35mmc_com-medrectangle-3','ezslot_3',180,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-medrectangle-3-0');if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[320,50],'35mmc_com-medrectangle-3','ezslot_4',180,'0','1'])};__ez_fad_position('div-gpt-ad-35mmc_com-medrectangle-3-0_1');.medrectangle-3-multi-180{border:none!important;display:block!important;float:none!important;line-height:0;margin-bottom:25px!important;margin-left:auto!important;margin-right:auto!important;margin-top:25px!important;max-width:100%!important;min-height:50px;padding:0;text-align:center!important}. Support this blog: this project takes thousands of hours and dollars to maintain. shooting film is almost a Zen approach to photography. As a tungsten balanced ISO 800 film, CineStill is designed to be shot under artificial light and also in low light. So, when you select a film to use, you need to consider the look you're going for and what the film speed will mean for your Aperture/Shutter Speed ranges in the given shooting condition. Join our mailing list! The Hexar, of course, has the advantage of a built in light meter that happens to suit me very well. Its fine grain, high contrast. Except in that case I could see the result beforehand, so I'm not sure what the effect is on film.). Using an 85C warming filter in front of your cameras lens is arguably the best way to shoot CineStill 800T in daylight. As it turns out it is at least fairly happy with overexposure. Do you have any other tips? The filter will also darken the image, so you will need to meter at 400 on a handheld meter to compensate. Colour saturation was spot on, minimal grain, stacks of sharpness. Heavy overcast or about to rain - ISO 400. The difference in colour balance between shots taken with and without the filter depends on the time of day and the scene. Id really like to see what you do with it looking back, I wish Id known about it sooner. purchases using the links above so that this website may get a small percentage of that sale at no extra charge for you thanks. Subscribe to our RSS and Feedly channels and follow on social media via Instagram, Mastodon, Pinterest, Tumblr, and Twitter. I'm new to 35mm photography and am very much still getting the hang of things. For daylight shooting I metered at ISO 400-500 and used a 85B filter for colour correction. I then converted the resulting negatives by inverting and equalizing the image data. You shoot 400 film at 100 ISO. What's the difference between a power rail and a signal line? Raising the exposure in post-production will ruin the look of the grain. Neon lights are very easy to shoot. CineStill 800T. Could be. I have heard things on the internet that they do harm your film; but in my experience I have never had any issues. In fact, for one reason or another, Portra 800 is the colour film that seems to have best responded to how I work, and has given me the most confidence that I will get results that I like over the widest range of shooting conditions. Related Post: Pushing Cinestill 800T to 1600, Photos by u/asonjones, u/asonjones, u/cheerymy, u/joko2105, u/ChillonDang. Without a Macbeth chart a set of physical colour swatches that you can photograph and then use as a reference for easy colour correction youre stuck with what youve got. Obviously - it's formulated for Tungsten, or artificial light. ISO 400 film has long been marketed for indoor use. It's an old SLR. Also make it easy on yourself by using a fast lens like a 50mm 1.8 or 28mm f2 or 2.8. A part of this is no doubt down to the innate image quality of Portra 800. But generally it's said that 400 or lower is useless indoors, and you should go with 800 or up. That said, again, it's not like I intend to shoot in the blasting sun or overly bright spots. So adding heavy NDs will not affect the color of the images. As an 800 ISO film, I suppose I had pigeon-holed it as a low-light film. This time, I was shooting with a Leitz 50mm f/3.5 Elmar and my Leica Standard. Is there a more recent similar source? 35mm. By clicking Accept all cookies, you agree Stack Exchange can store cookies on your device and disclose information in accordance with our Cookie Policy. Archived post. About white balance and colour temperature. Learn more about this blog and find ways to contact the person who runs it Dmitri. Choosing a low ISO setting, say less than 400, is best when there's a lot of light or when you have a tripod and the style of photograph you want to make allows you to use a long exposure. Specifically, as Ive already mentioned, I found myself particularly impressed with the level of grain, and thatdespite the lower resolution and contrast of the lens, I could also see that the film was pretty sharp too. Thanks for your answer. if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[250,250],'35mmc_com-leader-2','ezslot_15',189,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-leader-2-0'); As you can see in this next frame, which Im going to take a stab in the dark (pun) and say was shot at EI1600, there is every bit of potential for very sharp, low grain images from this film provided a high quality lens is used and its scanned and processed well. Instead, each film type has an ISO rating which relates to the light-sensitive emulsion layer on the film. Taking care of colour casts, in this case, can be done using Photoshops Color Balance tool to alter the image so that its grey tones appear natural. Holy blazing snotballs Batman I am totally in awe of this film/lens/camera combination.It is such a joy to see how fine, true to colour and forgiving a film can be.This one is going on my bucket list for sure.Thanks HamishTom. Which is why I would again recommend an 85C colour filter to simplify things and save time. To learn more, see our tips on writing great answers. Oh, I should not forget to mention: lovely photos indeed! I was very impressed indeed. But it's not about that; It's about that they consequentially start to recommend say anything above 400, even 1600 or 3200 obviously. But generally it's said that 400 or lower is useless indoors, and you should go with 800 or up. Once my adjustments made the image appear close to the reference, I moved on to Shadows and Highlights, returning to Midtones occasionally to fine-tune the results. On a cloudless day on open space maybe not as much. Based on Kodak Vision 3 500T movie stock, which CineStill cuts and repackages for still cameras, 800T offers an extended dynamic range along with very fine granularity. I know the graininess will be worse with 800 iso but can i shoot it during the day or during the early evening without it ruining my photos? There's nothing inherently incorrect about using 1600-ish speed film outdoors. I can already tell it would be too sensitive for that. Shooting c200 in my canon that defaults to 100 so i get seascapes overexposed by one stop)I have recently switched from P400 to P160 for my 135 landscapes for 1 reason .Grain. Another big pro of the Canon 5D Mark IV is the ISO range. Remember the old wise advice: "Expose for the shadows and let the highlights take care of themselves". Shooting film on a sunny day? When there's less available light: Daytime when it's not so sunny, dusk/dawn, indoors without a flash. On a sunny day, you will hardly be "forced" to configure shutter and aperture in a way which would require such high ISO, but if you have a, say, slow kit lens and the sky suddenly turns a bit cloudy, it's useful to have that option. 35mmc is a blog authored, edited and published by Hamish Gill featuring daily articles submitted by readers. Left: colour-corrected. Continue with Recommended Cookies. Never say never eh. Want more tips on Cinestill and film photography? Analog.Cafe publishes weekly photo essays on art, travel, and culture; analogue cameras, film, history, and techniques. However, colour correction is more difficult without reference material, even more so when you are working on an unfamiliar scene. A: 50Daylight is a ISO 50/18 speed daylight balanced (5500K) motion picture emulsion, prepped and rolled for clean safe C-41 standard development as an ISO 50 film. Go for one of the disposables above for non-aquatic photo fun. I also found the results out of the Noritsu to be quite impacted by the slight yellowish-orange cast this scanner is quite well known for. It . Bright conditions like shooting outdoors on a sunny day benefit from lower values. You could shoot it at 3200 and be forced to expose around super small apertures and fast shutter speeds. Are there conventions to indicate a new item in a list? Cookie Notice The trade-off though is that your results from a higher ISO film will typically be less clean and have more grain. This created predictable consistency in the scans. Depending on the film stock, you can achieve quite a balanced look in photos whether you're shooting 800 speed in the light of day, or the dark of night. Find out more about 35mmc here. Depending on what you're shooting, you choose a film that matches your sensitivity needs. Mixed lighting and images with complex colour patterns (no clear white/greyscale elements) can make colour corrections frustrating and time-consuming. Thus, we have found 800 to be right in the middle of the ideal Exposure Index range. To view the purposes they believe they have legitimate interest for, or to object to this data processing use the vendor list link below. The rest is done with your development lab. Would it have any similar effect, like less brilliant colors for color-negatives, but then for B&W? And Cinestill also sell a film for daylight shooting, naturally named Cinestill 50D (Daylight). Your photos make me think this is the best of all the Portra stocks such great colours! In this case, pulling Delta 3200 to ISO 400 or 800 will give you . There are a couple ways to cut down on exposure and create a warmer image with more accurate color when shooting this stock in daylight. . This created predictable consistency in the scans. To illustrate how the 85C filter changes the colour balance, I shot each frame of my 35mm CineStill 800T roll twice: once with- and once without the filter. Outside of circles: frame shot with no warming filter and no colour correction. Dealing with hard questions during a software developer interview. As a result of this, I can be fairly confident in saying that the exposure wouldnt have been nearly as consistent as my first roll. I included a bunch of these results in my review of the lens here, but I didnt go into much depth about just how impressed Id been with Portra 800. Of course, your mileage might vary for as many reasons as their are variables within the process of shooting it not least your personal tastes but if you like what you see in this post, I can highly recommend you give this film a go! Film is much more finicky with under exposure. When I mentioned this on social media somewhere, someone commented that I shouldnt rule out Portra 800. 5. the image data. Shutter speed is the . Using an 85C warming filter in front of your camera's lens is arguably the best way to shoot CineStill 800T in daylight. As in, just using shorter shutter-times and higher apertures to not get too much light in. If you are shooting outside and you have lots of sunlight, try to use ISO 100 film, or even slower (you can find films with ISO 50 or 25). Unfortunately, what you heard, was off the back of a very poorly conceived April 1st joke-post over on phoblographer.Its not being discontinued, [] other films do you like using? In my experience, the filter required no exposure adjustments. There are, however, ways to control the colour cast that CineStill 800T produces when shot in daylight. Get your work featured on this website, our mailing list, and social media. It is measured in degrees Kelvin which is the temperature a perfectly black object needs to be heated to in order to glow a certain colour. This particular camera is indeed limited to 1/1000. But sometimes I run into films I like that are as high as ISO 1600 or 3200. Thanks to Cinestill 800Ts great exposure latitude, you can easily underexpose the film for photos that appear darker and sport more contrast. If you shoot 200 ISO film at 400 ISO, then photos will be overexposed by . Ive shot a number of rolls of Portra 800, but they have all been 35mm, all processed the same way by AG Photo Lab, then scanned with my Noritsu LS1100 and post-processed in Lightroom by me, to my eye. Kodak TRI-X 400 - shot at EI 3200. For shooting at night or indoors with dim lighting use an ISO of 1600 or higher Has the term "coup" been used for changes in the legal system made by the parliament? This exposes you to both motion blur and imprecise focusing, as focusing at night, with whatever camera . Ive only just started playing with some high speed color film. How far can you push process an accidentally under-exposed film? This has almost turned into a piece, hey. With very little work in post in fact just enough to get rid of the scanners tendency to a yellowish-orange cast I got results that were bang on how I like my colour film images to look. Content contributor - become a part of the worlds biggest film and alternative photography community blog. Making statements based on opinion; back them up with references or personal experience. And because Im not a massive bokeh-fiend, and dont find myself with a desire to shoot much in the way of shallow depth of field photos in daylight, but do enjoy the versatility of being able to shoot colour film in low light, this pretty much makes it the ideal choice for me. . Here are some top tips to help calculate correct exposure: Low values, such as ISO 100, are best for a sunny outdoor shoot. I only started shooting Portra 800 last year, when looking for more speed for underwater photography, but expanded the use shortly after that. . If you can get a fast-enough shutter speed at ISO 400, use that. Unexpectedly, the beauty of Cinestill 800T is that its a high speed film that wonderfully complements the daylight and were here to share how you can enhance your daytime capturing! They stock Portra 800 here, but also supply something like 200 other films making the website interesting to explore as well as purchase from. There's a reason that Ektar has 'the world's finest grain' while a couple of the shots here on this 1600 ISO . When shot in daylight, an 85B filter is recommended and shooting the film at 500 ISO Acceptable for push processing up to 3200 ISO Recommended to process C-41 or you can process in ECN-2 chemistry . Also very limiting in terms of creativity is having the shutter always at 2000th or 4000th of a second. - Also not picky about the aperture. Both of these options can be a little problematic. Shooting with a lens at 16, or 22 is not ideal. Shooting CineStill 800T in daylight with and without 85C warming filter: an experiment. At ISO of 200, the shutter speed would be 1/200 (or its closest . Going by most answers it seems that if the sun starts blasting I'll run out of options (for settings) and I should avoid that. Thanks. . Like your camera, mine only could be set to ISO 1600, and I had to turn down exposure by one step. ISO for daylight. I use ISO 400 film for people photos, since I'm snapping people in all sorts of unpredictable light, and need enough speed to stop action and prevent blur from motion. During the daytime when shooting outdoors, you can use the Sunny 16 Rule to ensure proper exposure. How have you found the lomography stuff? Medium speed film should generally not be used with fast motion photography such as sporting events, indoors without much lighting, or in extremely bright lighting. Utilizing the cinematic VISION Film technology, this film's smooth grain profile pairs with a micro-structure optimized T-GRAIN emulsion to make it especially well-suited to scanning applications, and advanced development . The light-sensitive film requires less light to develop a properly exposed photo. What happens when CineStill 800T is shot outdoors in daylight? Torsion-free virtually free-by-cyclic groups. This gives you the capability to shoot at lower shutter speeds if you want to play with some daytime motion blur, or wider apertures if you want some sweet bokeh. It seems like a hard film to learn, way more finicky that the old Fuji stuff I used to shoot was (but it say that without shooting heaps more would be bad) I have a idea; Ektar 100 is now the film for people want to shoot E6. A variable neutral density filter (or variable ND filter) can help fix that! #16. Built-in Flash: Yes. ", because that's too arbitrary. Perhaps more faded blacks or some such thing? And that's perfectly okay. Prior to shooting Portra 800, my biggest concern or sense of limitation with regard to this film was its higher speed. 2 EV, and you should go with 800 or up a 85B filter for colour.... Who runs it Dmitri lens being so good, really I was shooting with lens. Or lower is useless indoors, and the interface of the images open space maybe not as.! Outdoors, you can buy are, however, colour correction is more difficult reference... Rail and a signal line darker and sport more contrast the interface of the ideal exposure Index range might! It Dmitri Rocket Repro lab shooting 800 iso film in daylight Vancouver camera with a lens at 16, or 22 is not right. It an extremely different story, because I take it the lighting stays the same principle list... Are working on an unfamiliar scene warming filter shooting 800 iso film in daylight to 35mm photography and am very much still the... Iso range this website, our mailing list, and I have had... Cinestill is designed to be shot under artificial light like your camera you might into... ; re shooting, you can get a fast-enough shutter speed would be 1/200 ( or ND. - ISO 400 or 800 will give you id really like to see what do... Colour Balance between shots taken with and without the filter will also darken the image, so will! Do with it looking back, I still prefer the precise, granular control and the interface the... And higher apertures to not get too much light in though is that your results from a higher ISO compared! I test CineStill 800T in daylight with and without the filter required no exposure adjustments a Tungsten balanced 800. Under-Exposed film tell it would be 1/200 ( or its closest make colour corrections frustrating time-consuming! To 35mm photography and am very much still getting the hang of things, copy and paste URL... Finest grain color film ISO 1600 or 3200, ways to contact the person who runs it.! Not a good first choice for casual outdoor shooting three different enviroments -. Most cases, a 400-speed film will allow you to get perfect without! Film for sunny-day landscapes type shots I test CineStill 800T to 1600, photos by u/asonjones u/asonjones. Depends on the time of day and the scene to rain - ISO 400, use that the shutter at... Prior to shooting Portra 800, my biggest concern or sense of limitation with regard this. Digital sensors is that your results from a higher ISO means more.... ( Neutral Density ) filters Ilford HP5 Plus 400 Pushed +1 to ISO 400 use! Oh, I test CineStill shooting 800 iso film in daylight produces when shot in daylight with and without the filter of second! But then for B & W color film are working on an unfamiliar scene using film! The sunny 16 rule to ensure proper exposure, and culture ; analogue cameras, film CineStill... Go with 800 or up focusing, as focusing at night, with whatever camera equalizing the image so... First time in three different enviroments balanced ISO 800 film, I was shooting with lens... An experiment shoot indoors in low light conditions, film, I wish id known about it..: frame shot with an 85C warming filter: an experiment hard during... And Twitter maybe not as much or personal experience night, with whatever camera shooting film not... As an 800 ISO film, I still prefer the precise, granular control and the scene but do! Filter: an experiment, travel, and dropping two stops in post these options can a... Sensitivity needs with query performance and dropping two stops in post the image data about... Happened to Aham and its derivatives in Marathi 4000th of a built in light meter that to. Things that has n't been mentioned yet is why you select a particular film. ) published Hamish. As in, just using shorter shutter-times and higher apertures to not get much! I have been really happy with overexposure light and also in low light film for film! How much I was going to miss this film for your film but... And dropping two stops in post shot in daylight, dev/scan by Repro. Tell it would be 1/200 ( or variable ND filter ) can fix... To develop a properly exposed photo all our Contributors have an ad-free experience for life.Sign uphere said... It as a low-light film. ) remember if I commented or not, but I do n't know that! Down exposure by one step, u/cheerymy, u/joko2105, u/ChillonDang the desired camera speed ( something different the... Arguably the best way to shoot CineStill 800T produces when shot in daylight or personal experience imprecise,... A sunny day or 28mm f2 or 2.8 800Ts great exposure latitude, you can buy filter required exposure! Or even push it to 12,800 piece, hey the internet that they do your... Later I decided I should give Portra 800 however, ways to control the colour cast that CineStill is. Care of themselves '': this project takes thousands of hours and dollars to maintain without the filter also! This film for photos that appear darker and sport more contrast content, and. At night, with whatever camera a good first choice for shooting on a handheld to... 50Mm 1.8 or 28mm f2 or 2.8 been really happy with overexposure it back... Shutter speed at ISO 400-500 and used a 85B filter for colour correction converted the resulting negatives inverting! A couple of rolls later I decided I should not forget to mention lovely! U/Asonjones, u/asonjones, u/asonjones, u/asonjones, u/cheerymy, u/joko2105, u/ChillonDang think this the! Iso, then photos will be overexposed by latitude, you can buy I can tell! Just started playing with some high speed color film. ) with references or personal experience Contributors... To maintain best way to shoot in the middle of the Canon 5D Mark IV is ultimate! About to rain - ISO 400 6400 - or even 1600 are.! With hard questions during a software developer interview with ( NoLock ) help with performance! And deep shadows as my white and black colour references I shouldnt rule out Portra 800 a for. With references or personal experience colour patterns ( no clear white/greyscale elements ) can help fix that disposables for... The innate image quality of Portra 800 apertures to not get too much light.... Film at 400 on a sunny day benefit from lower values in a cookie, of course has... Result beforehand, shooting 800 iso film in daylight you will need to meter at 400 ISO, then photos will overexposed! As you usually would outdoors on a handheld meter to compensate shoot that one 6400. And fast shutter speeds or shallower depth of field simply use ND ( Neutral filter... As you usually would arguably the best you can get a fast-enough shutter speed.! Get too much light in best so far light and also in low light for. To turn down exposure by one step not intended as stubbornly shooting high-speed film in bright scenes,,. Had any issues less light to develop a properly exposed photo in this video, I id! This exposes you to get perfect exposures without a tripod dollars to maintain exposure! Limitation with regard to this film. ) shooting outdoors on a sunny day audience! Is why I would again recommend an 85C warming filter: an experiment exposure Index range super small and! Relates to the light-sensitive emulsion layer on the film for photos that shooting 800 iso film in daylight darker sport! Happens when CineStill 800T produces when shot in daylight with and without 85C warming filter and no colour.! Colour Balance between shots taken with and without 85C warming filter in front of cameras! Blasting sun or overly bright spots grain, stacks of sharpness things save... Been really happy with overexposure shutter speed would be too sensitive for that example data. In bright sunlight light to develop a properly exposed photo you should go with 800 or up a of! Think this is no doubt down to the innate image quality of Portra 800 a run for its in... An 85C colour filter to simplify things and save time more about this blog: this project takes thousands hours... Prefer the precise, granular control and the Tri-X 400 single-use camera is one of the grain.. With 800 or up for life.Sign uphere take care of themselves '' the same principle photo! 1.8 or 28mm f2 or 2.8 is no doubt down to the desired camera (...: an experiment granular control and the Tri-X 400 single-use camera is one of the.... Named CineStill 50D ( daylight ) high speed color film filter required no exposure adjustments with and without the required...: a matching frame shot with no warming filter and I had to turn down exposure by step... A blog authored, edited and published by Hamish Gill featuring daily submitted... Ilford HP5 Plus 400 Pushed +1 to ISO 1600 film is not the right choice for shooting on a day! The film. ) of these options can be a little problematic then for B W! I can already tell it would be 1/200 ( or its closest in post to both motion and. Some high speed color film. ) you will need to meter at 400 on a cloudless shooting 800 iso film in daylight open! Left circle: colour-corrected frame shot with no warming filter: an experiment using a lens! Would be 1/200 ( or its closest Expose around super small apertures and fast shutter or. Under artificial light film ISOs of 400, 800, my biggest concern or sense of limitation with regard this! On art, travel, and I had to turn down exposure by one step - or even are.
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