The theatre was lovely, like stepping back into Victorian times and the whole atmosphere was perfect for "Phantom". I had seen it once before, years ago, and she had never seen it. Reviewed June 8, 2019 Purchased last minute $65 restricted view seats (A31 and B33 - directly behind each other) for a return visit to Muriel's Wedding. Grand Historical Tour. The staging was clumsy with actors spending much of the show wandering the stage looking as if they couldn't find a mark and even when they did their delivery was sub-standard. I'm going to see the musical for the first time. the use of understudies. A big compliment however for Wendy Ferguson as Carlotta, she was very very good. If you really want to see a particular show I would go for slightly better seats. Phantom Phans I would love to hear from you! Rachel Barrell played Christine and Andrew Thwaite was Raoul, and there was a stand in conductor as well. One thing we both noticed was that both seats were set quite high off the ground. Can't wait to go back and see it again. All the views expressed in our published seat reviews are those of independent theatregoers and don't necessarily represent those of whichseats.com, producers or theatre owners. The sets quite good..and some of the songs quite memorable. Having seen Scott before I was a little disappointed, as I hadn't been impressed with him on that occasion. You're usually laughing so long as you don't have the last side seats in rowM in the dress circle. I went to see Phantom of the Opera just after Christmas time. VDOMDHTMLtml> Her Majesty's Theatre - London VIP Box & Suites Find wonderful Her Majesty's Theatre - London VIP Box & Suites for your next event. The girl lead was very good, as was The Phantom although the same cannot be said for Raoul he had a very weak voice and was totally overpowered by Christina (not sure of the name of girl who played her - but the dark haired one). Beautiful, subtle, and heartbreaking Please pass this on to all of the cast (company) and production team. The whole thing blew me away. I would recommend row D and above. the theatre, the sets, the costumes, the effects, it was absolutely amazing from beginning to end. I first saw John playing the part of one of the students in Les Mis many years ago - he stood out even then! Sherrie >Then we move on to Oliver Thornton, well, what positive thing can I say? Paid 25 for top price tickets from See Tickets so a good deal. Listened to Les Mis recently? Two friends and I went to the matinee performance of 'Phantom' on the 18th January 2011. When the chandelier lifted up to the ceiling over our heads and the music started I unashamedly cried. Best is dead centre in row G 16 and 17. As it is, it plays like the West End's granddad on life support, while there are young, vibrant shows out there in Theatreland. I did not expect to sob as much as I did, having seen the musical many times and knowing the storyline, but this man is exceptional. A restricted view means that you may be unable to see the entire stage from the specified seats. As the climax approached I felt my eyes moisten and I was totally engrossed in the fine performances. This is the fourth time I have seen Theatremonkey's favourite show! When the actors sang on stage is sometimes was hard to hear, and when the actors sang off stage or a recording was playing it was much louder, so they either make the sound louder when the onstage or quieter when they are off. However, very disappointed with Theatre Tickets Direct. Scott Davies was back as the Phantom, a role he played a few years ago, and was mightily impressive. Monday to Saturday at 7.30pm Tiny leg room, but otherwise an excellent seat! me and my partner came to see phantom for the first time the show itself was amazing the cast and crew were fantastic, we had one usher who was extremely rude and was really raising his voice to shout out orders, we had tickets in the balcony and are honestly the most uncomfortable theatre seats I have sat in I could not move my legs at all and had to move around a lot much to the dismay of the people in front of us. Seating Maps Seating plans for performance spaces within His Majesty's Theatre. Cannot see the top level of the stage and the top level of the set. After seeing John Owen Jones twice, and Scott Davies once, I thought Earl Carpenter did a pretty good job - though vocally John Owen Jones was better. This was the first show I ever saw in the West End and that is always an exciting time for anyone. I would agree with the reviews, the seats are central and give a clear view of all areas of the stage. This is a show well worth seeing, for boyfriends, girlfriends, no friends or even just for an ordinary theatre night out. The drama of the chandelier at the beginning always sends shivers down my spine, as does the "Masquerade" scene. It was a pleasure to see her perform, other than being beautiful she acts astoundingly well and really feels the music. the special effects were among the best I have ever seen in a theatre, the music and the acting - I loved every minute of it. I truly wanted him to kick the Phantom's butt and get the girl, ha ha. I was responsible for buying the tickets hence I had checked reviews of the seats using TheatreMonkey, which I found was very useful. I was so close I could easily see the microphones of the performers. Very nice people! Less said the better! Please.) His portrayal is very simple in such a complex work, and it seemed as if he was just bashing through the songs - like sight-reading. I am 5 foot 1 inch and was wearing 3 inch heels. The only "problem" is that you're so close that you have to decide where to look when a lot is happening at once as you can't see everything at the same time. Those upper balconies are rarely filled, because they do give a strange, heightened view of the stage, but they dont completely cut you out. Cashier said sometimes very good seats can be available at the last minute for 25. To top all of this I had to look left towards the stage and needless to say I ended up with shoulder/neck ache!! (And, no, we are not Phans or groupies. Go right to section Stalls Seats here are tagged with: allows food and drinks has an obstructed view of the stage has awesome sound has great sound is padded Jarr50 Her Majesty's Theatre The Phantom Of The Opera Excellent. This utterly detracted from the action unfolding in front of us as we were unable to focus or immerse ourselves in the performance due to the distraction of our pain. Kelsey R. A wonderful performance by all. ALW had intended the show to run at the Palace but was beaten to it by "Les Mis". If anyone in front of you leans forward, they completely obscure your view and you have quite an area of stage left cut off from view. The legroom in E12 and E13 is very poor indeed and I would not sit in the Upper Circle again - although the view was acceptable, it wasn't brilliant (although you do get up close and personal with the Phantom when he's up to mischief way above the stage). It was such a shame. I would not recomend the seat for first time watching, but for a repeat visitor it's aceptable. I would recommend these seats for anyone who needs the legroom and wants to be at the front of the stalls. The Best Technical and Innovative Podcasts you should Listen, Essay Writing Service: The Best Solution for Busy Students, 6 The Best Alternatives for WhatsApp for Android, The Best Solar Street Light Manufacturers Across the World, Ultimate packing list while travelling with your dog. I truly understand this statement now. This review is the subjective opinion of a Tripadvisor member and not of Tripadvisor LLC. Also if youve seen the show previously you know when to look up, and I saw the Phantom when he was in the gods - and also saw him when he was in the angel structure (I never noticed before that the sculpture's eyes and mouth are lit up when the Phantom is on it - which I never would have known if I hadn't sat there). Stalls F16 and F17: Earl Carpenter as the Phantom was rather subdued and didn't have the edge of menace I felt he should have had. I was rather annoyed when a man came to the front of the Circle and told everyone to lean back. For someone who normally favours the more modern musical like myself, "The Phantom of the Opera" certainly took me by surprise. Yes he's contemporary and rocky but it is what it is. _____________________________________________. I really enjoyed the show and everyone else was really good. You'll have either an incomplete view because of the position of the seats, or something may be in your line of sight - like a pole, speakers, or the sound board. The show itself was very enjoyable but I did feel that it was starting to show its age a little and some of the characterisations are a little sloppy. I took my mother to see this show as a birthday treat on the 25th June 2005 and it certainly didn't disappoint. The sound is perfect, the view is perfect and this time there was lots of legroom. I assume she is an understudy or cover, and she was fantastic both in her voice and acting; there was a real connection on stage between her and the Phantom, Geronimo Rauch. The only point from Theatre Monkey's review that I do agree with is that Christine should definitely have got the Phantom!! __________________________________. Normally 67! Most memorable. _____________________, We saw 'Phantom of the Opera' on 7th January 2009. So go see the show. __________________________________. Sat in STALLS Row N seats 17 and 18. The day was made even better when regardless of the fact he would be performing later Scott spent around fifteen minutes at stage door talking and having pictures with us. As tickets for Phantom are expensive, I went on Lastminute.com to get tickets which offered me a 10 discount on each ticket. It was a dear wish of mine to go to see Phantom, and for my birthday I was treated by the family to the show. You will also miss seeing peoples feet if that is important to you during the ballet scenes. The whole show is hidden behind a huge chandelier, and some very talented singers. I found myself humming to the melodies of Masquerade and Music of the Night as I was driving home! Five minutes later at 14.22hrs I was given an even better seat in stalls, K11. Close enough to see the actors expressions and costume details but not to see any secrets behind the special effects. This was the first time either of us had seen this. With time, its importance was diluted, and, by the middle of the fifteenth century, it was almost forgotten although still there according to the law. The score was unimaginative and bland, the sets looked dated and the 'special effects' were clunky and distracting. This classical theatre should be running for many years to come. They were definitely met. The Merlyns worst seats are really not that bad, and certainly shouldnt put you off if theyre the last ones left. From centre to stage right wings, you slowly are able to see less and less You will be able to see the top halves of the actors when they dwell in the stage right area unless they are very far upstage right or very downstage right. Seating gives ideal view of stage no matter where. Typically, stalls seats can be regarded as some of the best seats in the auditorium, due to their close proximity to the stage. we laughed out loud because that summed up perfectly our experience at Her Majestys Theatre. And bigger orchestra The rest of the cast were generally good, although Oliver Thornton as Raoul unfortunately, was pretty awful. Hertfordshire. Ramin Karimloo was the Phantom and vocally I thought he was quite weak. Fantastic all the way His Majesty's is a lovely old Theatre. I'm at Phantom but got a day seat last minute for matinee today (tube strike day - editor). Tripadvisor performs checks on reviews. I'm sure you all wanted to know about that. ________________________, May 2011. Having seen the show a few times before we had our own personal taste on how we like our Phantoms to be portrayed and were not sure how Scott would fare - we neednt have worried. Don't get me wrong there was nothing BUT good I could say about the performance, however I just wanted to point out the problem that I encountered with Stalls G2 and that it may be useful for you to know. Being only 10 more than where we sat in the Grand Circle Row J before, these seats are much much better. And you see everything! That said, there is something thrilling about the proximity to the actors you get in the lower section, and certainly the front rows are nowhere near as limited as in the Sumner. The service could also benefit from being freshened up. It was worth the money. I sat in G2 and realised that the seat looked new and had obviously been refurbished. "Phantom" is a model of stagecraft which has sadly been lost to technology. I am already planning another visit to the show, I know it won't happen, but hope the phantom gets the girl next time! It had me in tears and goosebumps in parts. 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